


Vintage Augustus Caesar Grand Tour Neoclassical Bronze Statue Sculpture Figurine
Marsoni
M251S
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Friday, May 29
Vintage Augustus Caesar Grand Tour Neoclassical Bronze Statue Sculpture FigurineCondition: This sculpture is in perfect condition. Bronze Dimensions with Marble Base: Height 21 1 2" x Width 7" Marble Dimensions: 7" X 7" Height without base: 19" Weight : 22 LBS Inventory 79 X09519197 Sale@@ An elegant ancient European Man clasps his robes over his chest covering his body. His leg still peers through the side. He is classy, His face shows the wisdom that can only come with age and maturity. He stands barefoot feeling the ground on
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OVERALL NOT BAD BUT USING IT TO SEASON A CAST IRON WILL CREATE A BIT TOO DARK OF A SHEEN. WISH THE MANUFACTURER MENTIONED THAT
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Reviewed in the United States on April 8, 2025
★★★★★ 5
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Reviewed in the United States on May 5, 2026
★★★★★ 5
Well researched, disturbing, engaging.
Format: Paperback
I was amazed at how indepth and involved this history was. Very interesting, engaging and also very disturbing.
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Reviewed in the United States on April 1, 2026
★★★★★ 4
Good For History Lovers
I doubt anyone who does not want to read a true historical book with a lot of facts but not as exciting as a non-fiction novel will enjoy this. I liked it because I learned a lot of things about New York that I was really surprised to read. Seems my beloved New York had a pretty bloody, violent history towards slaves and Catholics and some others the leaders and people did not like. I didn't realize the punishments of the day were just as bad, if not worse, than those of the Salem Witch hunt days. Beware, some of the content may turn your stomach.
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Reviewed in the United States on March 17, 2014
★★★★★ 5
Search for Scapegoats
Format: Hardcover
Jill Lepore's "New York Burning: Liberty, Slavery, and Conspiracy in Eighteenth-Century Manhattan" is a valuable and admirable examination of one of the darkest episodes in New York's history: the so-called slave rebellion of 1741 and the brutal vengeance that was extracted. Professor Lepore's painstaking research confronts the reader with a terrible conclusion: even the most respectable of people in society will consent to the deaths of human beings, based on even the tiniest shreds of evidence.
Focusing primarily on the actions of Daniel Horsmanden, the City's Recorder, Lepore provides the reader with a background on the attitudes of New York's whites toward their slaves. She makes clear that Gotham was neither the first nor only city to have witnessed slave uprisings. (It had suffered a similar uprising a couple of decades earlier.) But the events of 1741 were unique for several reasons:
--the shifting finger-pointing at various groups;
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--Horsmanden's bizarre behavior toward Mary Burton.
Admittedly, I've only superficially studied this dark time in New York's history, so I was shocked to learn that there were actually several "conspiracies": the Negro Plot, Hughson's Plot, the Spanish Plot, the Roman Plot, etc. Each plot was hatched depending on who confessed to what. Worst of all, the white population of New York--fueled by racism, xenophobia, paranoia, and, not the least of all, bloodlust--went right along with it. And, with the exception of an intriguing anonymous letter from Massachussetts, it seems the rest of the colonies went along with it, too. While Horsmanden is just short of villified in this book, he is not alone in his culpability.
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Reviewed in the United States on June 8, 2006